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BSG

T.L. de Victoria: Aestimatus sum

BSG

1:53	Est. Play Time
33	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Tenor 2		11	0	2	6	97%
Bass 1		12	0	2	6	91%
View all 4 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Tenor 2		11	0	2	6	97%
Bass 1		12	0	2	6	91%
Bass 2		10	0	2	6	76%
Tenor 1		10	0	1	6	64%

J.S. Bach: Gute Nacht, o Wesen (BWV 227, #9)

BSG

7:34	Est. Play Time
106	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Tenor		16	0	5	5	100%
Soprano		18	0	6	6	99%
View all 4 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Tenor		16	0	5	5	100%
Soprano		18	0	6	6	99%
		16	0	5	5	98%
Alto		12	0	2	3	36%

J. S. Bach: Dona nobis pacem (BWV 232 final mvt)

BSG

3:12	Est. Play Time
46	Measures
	2,802Kb

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Strings 1		12	0	2	4	98%
		14	0	3	5	93%
View all 17 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Strings 1		12	0	2	4	98%
		14	0	3	5	93%
		22	1	6	5	100%
		15	0	3	5	100%
CtoR		17	45	4	7	100%
		18	0	5	6	100%
Tenor		15	0	3	5	100%
Alto		12	0	2	4	98%
Continuo		20	1	6	5	98%
Contrabass		20	1	6	5	98%
Bass		19	0	6	5	93%
Flute		14	0	3	5	93%
Soprano		14	0	3	5	93%
Oboe		18	34	5	6	82%
Trombe 1 amp;amp; 2		11	0	1	5	51%
Timpani		2	0	0	5	22%
Tromba 3		11	0	1	5	22%

J.S. Bach: Wohl mir, daß ich Jesum habe (“Jesu, Joy of Man's Desiring”, BWV 147 #6)

BSG

3:40	Est. Play Time
71	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Pipe Organ		12	0	3	5	69%
		16	0	3	6	100%
View all 11 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Pipe Organ		12	0	3	5	69%
		16	0	3	6	100%
		8	0	1	3	45%
Cello		16	0	3	5	100%
Violin		22	0	7	3	94%
		16	0	3	4	94%
Viola		13	0	2	5	94%
Alto		8	0	2	3	45%
Bass		14	0	1	3	45%
Soprano		7	0	1	5	45%
Tenor		8	0	1	3	45%

J. S. Bach: Ach Gott und Herr (“simple” chorale, BWV 48, #3)

BSG

0:40	Est. Play Time
11	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Alto		11	0	4	5	100%
Bass		18	0	6	4	100%
View all 5 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Alto		11	0	4	5	100%
Bass		18	0	6	4	100%
Contrabass		17	0	6	4	100%
Soprano		6	0	0	5	100%
Tenor		11	0	2	4	100%

A. Turenkov: Разбойника благоразумнаго (The Wise Thief)

BSG

0:40	Est. Play Time
21	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Alto		11	0	3	6	100%
Soprano		13	8	2	6	100%
View all 4 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Alto		11	0	3	6	100%
Soprano		13	8	2	6	100%
Tenor		13	8	3	6	100%
Bass		16	10	1	5	96%

C. Wesley: Lo! He comes, with clouds descending (Helmsley) (arr. BSG 2016)

BSG

4:55	Est. Play Time
104	Measures
	1,402Kb

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organ		16	1	3	6	100%
		16	0	2	6	100%
View all 7 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organ		16	1	3	6	100%
		16	0	2	6	100%
		13	6	2	6	100%
Voice		10	0	0	6	75%
		10	0	0	6	75%
Bass Trombone		16	0	2	5	25%
Descant		10	0	0	5	25%

F. Couperin: Troisième Leçon pour Mercredy Sainct à deux voix

BSG

2:51	Est. Play Time
56	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Pan Flute		17	26	4	5	100%
Violoncello		20	0	4	5	100%
View all 4 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Pan Flute		17	26	4	5	100%
Violoncello		20	0	4	5	100%
Soprano		13	0	2	10	95%
		13	0	2	10	93%

T.L de Victoria: Eram quasi agnus

BSG

2:19	Est. Play Time
54	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Alto		13	0	2	6	98%
Soprano		14	0	4	6	98%
View all 4 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Alto		13	0	2	6	98%
Soprano		14	0	4	6	98%
Tenor		10	0	2	6	94%
Baritone		12	0	3	6	59%

J.S. Bach: Unter deinen Schirmen (BWV 227, #3)

BSG

1:05	Est. Play Time
19	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano		12	0	2	5	100%
		10	0	3	4	100%
View all 5 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano		12	0	2	5	100%
		10	0	3	4	100%
Alto		10	0	1	5	100%
Bass		14	0	3	4	100%
Tenor		13	0	4	4	100%

J.S. Bach: Weg mit allen Schätzen (BWV 227, #7)

BSG

1:03	Est. Play Time
19	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Alto		13	0	4	5	100%
Bass		16	0	5	4	100%
View all 4 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Alto		13	0	4	5	100%
Bass		16	0	5	4	100%
Soprano		12	0	2	5	100%
Tenor		13	0	3	5	100%

J. S. Bach: Ein' feste Burg ist unser Gott (BWV 80/I)

BSG

7:36	Est. Play Time
228	Measures
	3,159Kb

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organ		18	54	7	4	33%
		26	0	10	7	96%
View all 16 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organ		18	54	7	4	33%
		26	0	10	7	96%
Vcl		26	3	10	7	96%
Tenor		18	0	7	5	86%
Viola		18	0	7	5	86%
Alto		18	0	6	6	84%
Violin 2		18	0	6	6	84%
Soprano		18	0	7	5	79%
Violin 1		18	0	7	6	79%
Bass		17	0	5	6	71%
Tromba 1		14	0	2	6	38%
Ped		10	0	2	5	33%
Trombone		10	0	2	5	33%
Tromba 2,3		11	20	1	4	22%
Timpani		2	0	0	3	21%
Oboe		13	16	3	5	20%

Rockingham (tune)

BSG

0:36	Est. Play Time
17	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organ		12	0	1	4	100%
		12	0	1	2	100%
View all 6 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organ		12	0	1	4	100%
		12	0	1	2	100%
		15	0	2	4	100%
		0	0	0	0	0%
Voice		12	0	1	4	100%
		16	1	2	4	100%

J. S. Bach: Study material for BWV 78.1 (edited by BSG)

BSG

1:48	Est. Play Time
27	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
S/A		13	0	2	6	100%
T/B		20	0	7	6	92%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
S/A		13	0	2	6	100%
T/B		20	0	7	6	92%

J.S. Bach: Gute Nacht, o Wesen (BWV 227, #9) (trsc. for organ)(Hauptwerk/Sonus Paradisi Doesburg)

BSG

7:34	Est. Play Time
106	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Bassoon		16	0	5	5	100%
Pan Flute		20	0	8	6	99%
C Trumpet		12	0	2	3	36%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Bassoon		16	0	5	5	100%
Pan Flute		20	0	8	6	99%
C Trumpet		12	0	2	3	36%

Es ist das Heil (Eingangschor) (di BSG, 1994, 2001)

BSG

8:12	Est. Play Time
83	Measures
	4,627Kb

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Continuo		24	80	8	6	85%
		21	0	6	6	100%
View all 13 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Continuo		24	80	8	6	85%
		21	0	6	6	100%
CB		21	0	6	6	100%
Vcl		21	0	6	6	100%
Viola		20	0	7	7	100%
Vn 1		23	0	9	8	100%
Vn 2		20	0	6	6	100%
Flute		27	0	10	10	99%
Bass		18	0	6	6	49%
Sop		16	0	5	6	49%
Alto		16	0	5	5	48%
Ten		12	0	2	5	42%
Tenor Trombone		12	0	2	6	42%

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